Interview
Nina Nørgaard: Sculpting light and life in glass
Nina Nørgaard is a leading figure in Danish glass art, known for her sensual, sculptural approach. For over a decade, she has transformed molten material into delicate works of art that capture light, sensuality, and timeless beauty. From collaborations with Noma to iconic projects with Byredo, Nina’s approach is instinctual yet sophisticated, she is an artist with a designer’s precision — rooted in a deep understanding of materiality, light, and beauty.
Words Natalia Storm Photos Nicolaj Didriksen
How would you describe yourself? are you a designer with an artist approach or an artist with a design approach?
I’m an artist with a designer’s approach.
What is the story behind your studio?
I never really planned for it — I’m not a big planner, but I’m a big dreamer. I’m fast and intuitive when a project feels right. My story began in October 2011 when I started my studio. At the time, it was all about showing the world how magical it feels to drink from hand-sculpted glassware with soft edges. Noma became one of my first clients, and that changed everything.
I wanted people to appreciate the beauty of glass — the delicate sensuality of the experience when the rim touches your lips. Later, I aimed to make glass vases, coupe glasses, and lamps appealing to younger generations. Today, it’s about refining all of that — focusing on more sculptural work.
"I believe in making people appreciate the beauty of glass — the delicate sensuality of the experience when the rim touches your lips."
Describe your creative process
I always carry a notebook to sketch down ideas and thoughts. In my studio, I experiment with techniques, colors, and pieces from my archive. If I’m creating for a specific location, I study its light, structure, and atmosphere. Sometimes, I shape forms in clay or wax before moving into the hot studio to test and finalize pieces.
What is your process before beginning a new project?
It depends on whether it’s a collaboration or my own. For collaborations, I focus on deadlines, budgets, and the client’s wishes. For personal projects, I follow my interests — historical themes, ideas I’m curious about, or concepts I want to explore. I start by researching, taking notes, and occasionally collaborating with partners to strengthen the story.
How do you get unstuck creatively?
I take a warm bath, go for a run or a walk, visit museums, cinemas, or restaurants. Sometimes, a siesta, a good book, or conversations with talented friends is all it takes to shift my perspective.
Second image:
‘Sticky Fingers’ – A sculptural collaboration with Byredo, blending artistry and craft.
Tell us about a project that has been your greatest achievement
I’ve been fortunate to work with so many talented people. Sticky Fingers with Byredo stands out as a highlight, as does my work with Noma. Beyond those, being invited to the board of the Charlottenborg Foundation and serving on the jury for the Spring Exhibition has been incredibly inspiring.
What advice would you give to your 20-year-old self? Would you do anything differently?
I don’t really have regrets — I’m a very present person. I do what feels right. Maybe I would have stretched my studies by attending art school after my time at Kosta Glass School in Sweden. But honestly, my life would have taken a completely different path.
What are some of your favorite discoveries or moments over the years?
My travels to Paris, Venice, San Francisco, Los Angeles, and Sweden have been extraordinary. The people I’ve worked with, the parties, and the creative energy along the way — those experiences stay with me.
/ The Quickies
What is your favorite object in your home?
My water bottle with stoppers, it reminds me of the beauty in drinking water.
Which travel destination do you always return to?
Paris and Venice.
When did you know you were talented?
When I started at Kosta Glass School in Sweden.